Geometry in Plaster: Exploring Form, Space, and Abstraction

These two geometric plaster sculptures explore the relationship between solid forms, negative space, and architectural structure. Created through the traditional technique of plaster carving, the works transform a relatively humble material into sculptural compositions that balance precision with organic movement.

Unlike additive sculpting, plaster carving is a subtractive process. Beginning with a solid block of plaster, the artist gradually removes material using chisels, rasps, files, and sandpaper. Each cut is deliberate, revealing intersecting planes, rounded surfaces, and recessed cavities. The process requires careful planning, as removed material cannot simply be restored.

The sculptures reflect influences from several important modernist artists. Constantin Brâncuși's pursuit of simplified, essential forms resonates in their geometric clarity, while Barbara Hepworth's exploration of pierced volumes and negative space informs their interplay between interior and exterior. Henry Moore's organic abstraction and Isamu Noguchi's integration of geometry, sculpture, and architecture provide additional artistic parallels.

The cube-shaped sculpture received the Misty Dailey Award at the Studio Art Minor Senior Exhibit at Georgetown University, recognizing its artistic achievement.

Although both sculptures are monochromatic, their surfaces respond dynamically to light, creating shifting shadows that emphasize their three-dimensional qualities.

Together, these works demonstrate how abstraction can communicate through proportion, rhythm, and spatial relationships rather than representation. Their contrasting geometric and organic elements invite viewers to explore the delicate balance between structure and fluidity, permanence and transformation.